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Address
304 North Cardinal
St. Dorchester Center, MA 02124
Work Hours
Monday to Friday: 7AM - 7PM
Weekend: 10AM - 5PM
Finding a fabric that performs well across seasons without sacrificing comfort or structure? Most single-knit jerseys either feel too flimsy or curl at the edges the second you cut them. Interlock sits in that sweet spot—thick enough to hold shape, soft enough to wear next to skin, and stable enough to sew without frustration. It’s not flashy, but once you’ve worked with it, you’ll wonder why you ever struggled with cheaper knits.

Interlock fabric is a double-knit structure—reversible, balanced, and built for performance. Unlike single jersey knits that lean and curl, interlock lies flat. Both sides look identical: smooth, clean, and free of edge roll. That’s because it’s made by interlocking two sets of ribbed stitches, creating a fabric that’s structurally symmetrical.
It’s often mistaken for a heavier single jersey, but the difference shows up the moment you stretch it. Interlock recovers better, resists sagging, and holds seams cleanly. The fabric has a subtle density—like a well-woven T-shirt that doesn’t cling or bag out after one wash.
I’ve used it for everything from baby onesies to performance tees, and it consistently delivers. Even after repeated washes, it doesn’t lose its hand feel or shape. That’s rare in knits.
The key to interlock’s stability is its double-knit construction. Each stitch is interlocked between two needle beds—one on the cylinder, one on the dial—so every loop supports the next. This creates a fabric that’s not just thick, but dimensionally stable.
Compared to a standard 1×1 rib, interlock doesn’t have the same horizontal stretch, but it compensates with vertical resilience. It’s less likely to distort at necklines or cuffs, which makes it ideal for garments that need to hold their shape over time.
And because both sides are identical, you can skip linings. That’s a win for lightweight outerwear or dresses where bulk is a concern.

Interlock is produced on a circular weft-knitting machine with two sets of needles arranged opposite each other. As the yarn feeds in, front and back needles work in alternation, forming interlocked loops. This isn’t just two layers glued together—it’s one continuous fabric, knitted as a unit.
The machine setup matters. Most interlock is knit at 20–24 npi (needles per inch), with 1/48 Nm worsted yarn as a baseline. Higher gauge machines (like 28 npi) can produce finer, more drapey versions, but they’re trickier to handle—more on that later.
Stainless steel needles are standard. They’re durable and precise, which is critical when you’re knitting two interdependent layers. Any misalignment and you get dropped stitches or uneven tension.
I once sourced a batch of cotton interlock that kept puckering at the seams. Turns out, the mill had adjusted the cam timing slightly to speed up production. The fabric looked fine on the roll, but under tension during sewing, the stitches shifted. Took me three sample rounds to realize it wasn’t my needle choice—it was the knit tension.
Lesson: even small deviations in machine setup can impact stitch uniformity. If you’re developing a garment with tight tolerances (like a fitted polo), request a swatch cut across the grain to test for bias stretch. Interlock shouldn’t skew more than 3–5%.

Interlock isn’t tied to one fiber. It’s defined by structure, not content. That means you can find it in cotton, polyester, wool, bamboo, rayon, silk, or blends. Each brings different performance traits.
Spandex is often added—typically 2–5%—to boost stretch and recovery. Without it, interlock has moderate elasticity. With it, you get that “snap-back” feel essential for performance wear.
Let’s say you’re designing a yoga tank. You want stretch, wicking, and shape retention. 100% cotton interlock feels great but holds sweat. 100% polyester dries fast but lacks breathability. A 92% polyester / 8% spandex interlock? That’s where you hit the sweet spot.
But here’s the trade-off: higher spandex means tighter seams. Use a ballpoint needle (size 75/11 or 80/12) and a stretch stitch. Otherwise, you’ll get skipped stitches or popped threads.

Interlock starts with knitting, but finishing determines performance.
Brushing: Common on cotton interlock. The inner face is lightly brushed to raise the fibers, creating a soft, fuzzy texture. This boosts warmth—great for winter tees or pajamas. But don’t brush wool. It’ll felt and stiffen. I learned that the hard way on a client’s order.
Singeing and Pilling Resistance: Most interlock goes through singeing to burn off loose fibers. This reduces pilling. Then it’s treated with anti-pilling agents—usually silicone-based. A good interlock should rate 3–4 on the pilling resistance scale (ASTM D3512). Anything lower, and it’ll fuzz up after a few wears.
Heat Setting and Ironing: After knitting, the fabric passes through steam and hot metal rollers. This stabilizes the structure. For polyester blends, heat setting at 180–190°C locks in shape. Cotton interlock benefits from steam pressing at lower temps (140–160°C) to avoid scorching.
I once skipped heat setting on a modal-cotton blend to save cost. Big mistake. The fabric relaxed during sewing, and the hems twisted. Now I insist on it—even for small batches.

Interlock is knit on double-bed circular machines with interlocking gate needles. The needles are arranged so that when one bed knits, the other rests—alternating feeders create the interlock effect.
These machines run at high speed—up to 30 rpm—so output is efficient. Multi-feeders (8–16) allow for consistent tension across wide widths (typically 58–64”).
Gauge matters. 20–24 npi is standard for apparel. Finer gauges (28+) produce lighter, more drapey fabrics, but they’re more delicate. I’ve had issues with 28-gauge interlock snagging during cutting. Now I reserve it for lightweight tops, not structured pieces.
If the cylinder and dial needles aren’t perfectly aligned, you get “stitch crowding” or “laddering.” It shows up as faint vertical lines in the fabric. Not always visible on the roll, but obvious after sewing.
Always inspect a full-width swatch under tension. Pull it diagonally. If you see any irregularity, ask the mill to check needle alignment.
Pura Fabric runs regular machine audits to prevent this. It’s one reason their interlock batches are so consistent.

The classic. 100% cotton, 160–200 GSM. Soft, breathable, and washable at 40°C. It’s my default for baby clothes and everyday tees. Pre-shrunk versions minimize shrinkage to under 3%.
One thing: cotton interlock isn’t naturally wicking. If you need moisture management, look for a finish like Polygiene or ask for a hydrophilic treatment.
Typically 145–180 GSM. Synthetic, so it doesn’t absorb moisture—but that’s the point. It wicks sweat away from the skin. Great for athletic tops and base layers.
I used a 160 GSM polyester interlock for a running vest line. The fabric dried in 20 minutes after a downpour. But it lacked softness. We added a cationic finish to improve hand feel—worth the extra cost.
Often blended with spandex (88/12 or 92/8). Strong, elastic, and abrasion-resistant. Perfect for compression wear.
But nylon can be tricky to dye evenly. If you’re doing bright colors, run a lab dip first. I once had a batch of electric blue come back with streaks because the dye bath wasn’t agitated enough.
Eco-friendly, soft, naturally antibacterial. GSM ranges from 150–190. Ideal for sleepwear and underwear.
Downside? It loses strength when wet. So no heavy tumble drying. Air dry, low heat only.
Luxury tier. From sustainably harvested beech trees. 170–200 GSM. Silky drape, excellent color retention.
Modal holds dye better than cotton—fewer fading issues. But it’s more expensive. I use it for capsule collections where quality justifies price.

Interlock isn’t the stretchiest knit out there, but it’s one of the most balanced. It doesn’t bag, curl, or twist. And because both sides are finished, you can design reversible garments—something I’ve used in minimalist capsule wardrobes.

The double-knit structure traps air between layers. That makes it warmer than single jersey, even at the same weight. A 180 GSM interlock feels like a 220 GSM single knit.
Great for transitional pieces—think long-sleeve tees in spring or lightweight hoodies.
I’ve used the same cotton interlock for baby onesies, men’s polos, and women’s dresses. The fabric adapts. Thicker versions (250+ GSM) work for outerwear; lighter ones (150–180) for underwear.
And because it doesn’t curl, you can use it for neckbands, cuffs, and hems without folding or stabilizing.
No need for lining. The surface is clean, with defined stitch lines. It presses well—just use a press cloth and medium steam.
Avoid high heat on synthetics. Polyester can scorch at 200°C. I keep my iron at 150°C with steam for blends.
Natural fibers breathe; synthetics wick. But you can enhance either.
For cotton, look for a moisture-wicking finish. For polyester, add antimicrobial treatment to reduce odor. Pura Fabric offers both options—just specify during sampling.
Interlock has moderate stretch—around 25–30% across the grain. With spandex, it can reach 50%. Recovery is excellent if the fabric is heat-set properly.
But don’t overstretch during cutting. Use gravity feed or a fabric spreader with light tension. I once had a batch of modal interlock distort because the cutter used too much pull. Wasted three meters.
Interlock is underrated in performance wear. It’s not as stretchy as jersey, but it holds shape better. I’ve used polyester-spandex interlock for basketball jerseys—held up through 50+ washes without bagging.
Sublimation printing works well on polyester interlock. The smooth surface gives crisp prints. Just make sure the fabric is heat-set first, or the ink can bleed.
From t-shirts to dresses, interlock is a workhorse. Long sleeves, polo shirts, skirts—its stability makes pattern matching easier.
I designed a reversible dress using 190 GSM cotton interlock. No lining, no facings. Just clean edges and topstitching. Cut production time by 30%.
Soft, non-irritating, and durable. Cotton interlock is perfect for onesies and sleepers. Brushed versions add warmth without bulk.
Parents love that it washes well. Just avoid fabric softener—it coats fibers and reduces breathability.
Bamboo-rayon and modal interlock dominate here. Natural, breathable, and gentle on skin.
One client wanted a seamless look. We used a 170 GSM modal interlock with flatlock seams. Felt like second skin.

It’s not the flashiest fabric, but it’s reliable. Like a good pair of jeans.
Depends on fiber and construction. Plain cotton interlock stretches 25–30%. Add 5% spandex, and you get 40–50% stretch with better recovery.
But remember: more stretch means more seam stress. Use a stretch stitch or coverstitch. And always test your thread tension on a scrap.
Yes—but with caveats. The double-knit structure traps heat, so it’s warmer than single jersey. But cotton and bamboo versions breathe well.
For summer, go light: 150–180 GSM, open placket, loose fit. I used a 160 GSM bamboo interlock for a summer dress line—customers said it stayed cool even in 35°C heat.
Interlock isn’t a trend. It’s a foundation. It won’t wow you on the bolt, but it performs when it counts. The best designs don’t shout—they last. And interlock, done right, lasts longer than most.